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On November 10,1616,Sir Thomas Roe had gone to Ajmer to witness the departure of Emperor Jehangir from this princely state of Rajasthan and found himself dazzled by the splendor of the Emperor's jewelry, which he described in great detail.......

"On his head he wore a rich turban with a plume of heron tops (kalgi) not many, but long; on one side hung an unset ruby, as big as a walnut; on the other side a diamond as great; in the middle an emerald like a heart, much bigger.
His sash was wreathed about with a chain of great pearls, rubies and diamonds dirlled; about his neck he carried a chain of most excellent pearls, three double, so great I never saw; at his elbows armlets set with diamonds; on his wrist three rows of several sorts. His hands bare, but almost on every finger a ring."

 

In Rajasthan, men and women traditionally wore necklaces, armlets, anklets, earrings and rings. With the advent of the Mughal Empire, Rajasthan became a major center for production of the finest kind of jewelry. It was a true blend of the Mughal with the Rajasthani craftsmanship. The Mughals brought sophisticated design & technical know-how of the Persians with them. The common link was the inherently decorative nature of the Muslim and Hindu Art. The synthesis of the cultures resulted in a period of grandeur and brilliance that dazzled the eyes of foreigners and has passed into legend. The jewellers of Rajasthan specialized in the setting of precious stones into gold and enameling of gold. Jaipur, and to some extent Alwar, emerged as the enameling centers par excellence in the eighteenth and nineteenth century. Enameling was introduced by Maharaja Man Singh who had cordial relations with Akbar. The enameled gold staff of the Maharaja is unsurpassed even today for its brilliant colours.

 

THE MASCULINE JEWELLERY

Vanity, a love of opulence and deep aesthetic sense gave the Rajas and Ranis of Rajasthan a great fondness for jewelry. The men were as elaborately and dazzlingly dressed as the women, with jewelry that often rivaled that of their wives. It was a status symbol and a portable display of wealth, and consequently, power.

 

THE FEMININE JEWELLERY

Feminine jewellry is more complex than masculine jewellery. Jewellery in India is worn as a complete ensemble, and not as accessory. It is thus quite acceptable to wear more than one necklace around the neck, also in the ears, on the arms and the ankles, rings on the toes and fingers, ornaments on the forehead, in the hair, and so on, any number to be worn at the same time.

 

TEXTILE ORNAMENTATION

Besides all this jewellery, the saris and the lehengas (long skirts) of the ladies is richly and heavily embroidered with gold and silver threads. A single grain of gold can be drawn to a length of 500 feet. Gold embroidery called Karchopis is done on masnads & elephant trapping fans & canopies. The gold work of Jaipur is also famous.

 

GEMSTONES

Rajasthan excels in wide range of precious and semi-precious jewellery. Exquisite ornaments are made in Jaipur and Jodhpur using emerald, diamond, pearl, garnet, agate and lapiz lazuli.

Jaipur has been famous for artisans specializing in cutting of precious and semi-precious stones. The design and the way the stones are cut in Jaipur represents the admixture of Mughal and Rajput styles.

As opposed to the modern equipments used by European lapidaries, Jaipur workers use simple tools, inspite, of which their dexterity and skill is remarkable.

A piece of jewellery very popular in Rajasthan is the navaratan. This is a collection of nine gems set together in a single piece of jewellery, either a pendant or a ring. The gems were said to counteract the external and evil influences of the planets and ensure good luck for those who wear them. Pearls were also considered extremely lucky to wear and emperors even ate ground pearls as medicine.(They are still used in some ayurvedic medicines).Pearl veils covered the faces of brides and grooms.

A large number of the traditionally designed jewellery are still very popular. Many of them are now made in cheaper metals for the common man, and precious stones are replaced by coloured glass or semi-precious stones.

The jewellery of Rajasthan has a rich tradition that has imbibed the best brought in by the Mughals without losing its own distinct character. As Birdwood comments: "In nothing do the people of India display their naturally gorgeous and costly taste, so much

as in their jewellery and jewelled arms which are not only fabricated of the richest and rarest materials but wrought likewise with all elaborateness, delicacy and of splendor of design within the reach of art."

   

               Tanzanite picture            Emerald picture   

SPECIALISED CENTERS OF JEWELLERY

Rajasthan is a land where tradition has been imbibed into every aspect of life. The jewellery of this culturally rich land reflects the distinctiveness of the region it belongs to.

Jaipur is the center for gold kundan work and a renowned center for diamond and emerald cutting. The main bazaar earmarked for the production and sale of jewellery when Jaipur was founded is rightly called Johari Bazar (jeweller's market),and even today it offers the most varied collection of jewellery of the region. The temple market in Nathdwara is the best place to buy silver kundan and meenakari work. A spillover can be purchased at various markets at Uadipur. These exquisite pieces of jewellery in gold and silver have also been incorporated on lac to give youngsters a chance to adorn themselves with meenakari jewellery which can be purchased at the Sunaron-ki-Suwad Bazar in Bikaner at a pittance. Old silver jewellery, which is much in vogue, can be bought at Jaisalmer in every nook and corner of the small bazaar area. This traditional jewellery has an old world charm and is affordable at the same time.

Pratapgarh in Chittaurgarh district is famous for thewa jewellery. The red, green or blue foil below highlights the intricate gold work in the best possible manner.

With painstaking effort the pieces of coloured glass are encased in gold plated sliver. The delicate designs are worked out on the glass piece with gold leaf. Apart from pendants, earrings etc. small sindhoor boxes & even cases are made in this fashion.

 

 

 

 

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